No, it’s not Hitler’s biopic, nor a serial killer flick, but an irresistible romantic dramedy exploding with cinematic magic. Director Joachim Trier considers the structure of his latest work a musical, despite the lack of singing and dancing. Playful and exciting, it’s a love story we have seen countless times, but stands apart from its predecessors as it doesn’t try to sell something to the audience, not even classic feel-good resolutions. There are clear Woody Allen, Nora

La La Leos Carax. The red carpet is laid, the spotlights are on, the posters are up, and the aborted 2020 Cannes edition is an unspoken taboo. Nobody dares to mention it, as the 74th Cannes Film Festival doesn’t lament the past but looks ahead instead- yet without so many differences. Just as always, Spike Lee wears flamboyantly colourful suits a la Queen of England, Pedro Almodovar wanders the stage disoriented, and Lea Seydoux is in 75% of the selected movies (are there any